POETRY

Matthew Freeman | Years Later, I Hit the Shot
Matthew Freeman | All’s Well That Ends Well
Matthew Freeman | Down in Columbia, Missouri

Judith Skillman | The Terrible Fate of Being a Child
Judith Skillman | The Yeoman

Natasha Sajé |mitti attar

Kelly R. Samuels | The Smallest Bag Speaks Prior to Opal’s Departure
Kelly R. Samuels | The Dinghy Mourns Millie Replacing Its Oars, But Recovers

Dan Wiencek | The Bridge Fell on Some Unrecorded Night

Christopher Citro | Until the World Cracks in Half
Christopher Citro | Last Bites Mostly Your Own Saliva
Christopher Citro | Say That Again

Dan Leach | Music
Dan Leach | Why I Didn’t Fight Leaving Chicago

Angie Macri | Catoptromancy
Angie Macri | Visual Field

Marlon Hacla | from Melismas

Cindy King | Matrons of the Ward

Jeff Hamilton | Fakebook
Jeff Hamilton | A Footnote to “Missouri (c. 1672)”
Jeff Hamilton | Birdsong Before Rain

Renee Soto | Your Death’s Noise Against My Head

Marjorie Stelmach | Woman, Why Are You Weeping

Cameron Morse | We All Scream for Ice Cream

Jen Schalliol Huang | Directions

Natalie Homer | Search Party (I.)
Natalie Homer | Search Party (II.)

Alix Anne Shaw | You think of the marble torso on a postcard tacked beside the bathroom mirror
Alix Anne Shaw | The space between collisions

Fiction

Nicola Schmidt | Murmuration

Diane Josefowicz | The Honor Roll

Jennifer Horne | “Watson is here. Come home.”

Jenny McBride | Sister-in-Law Tyrannosaurus

Julia Coursey | Cubes
Julia Coursey | The Thin Girl

Michele Lombardo | The Love Trigger

Chad Simpson | Notes Toward a Story Called Quadriplegic

Amie Whittemore | Love Hermits

Jaydn DeWald | GRID (9)
Jaydn DeWald | GRID (10): SHELVES

John Vanderslice | Culture of the Company

Amelia Morand | Mostly Okay

Laura Jok | Gosh

Creative Nonfiction

Barrett Warner | Light the Fuse

Barbara Haas | A Ditchable Weight

Livia Linden | Gravy Lust

Daniel Parks | Time to Go

Jessie Eikmann | Doubletree