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| POETRY |
| Martha Silano |
Beneath twelve feet of ashy topsoil, |
| Jenna Bazzell |
My Mother’s Nightmare |
| Karina Borowicz |
Natural Histories |
| Joelle Biele |
In Her Other Life |
| Jessica Jacobs |
Georgia O’Keefe (Half-Naked, in White); Alfred Faces the Camera, Georgia Turns Away; Like an Early Blue Abstraction |
| Peter Leight |
Ascent |
| Ruth Williams |
Night Light |
| Grace Curtis |
Autonomy |
| Sarah Gerkensmeyer |
Show Me Spring |
| Katherine E. Young |
Euclidean Geometry |
| David Wright |
Curse |
| Helena Mesa |
On Love |
| Mark Rubin |
Esther; Unwhittled |
| Daniel Bourne |
All Souls Day, Illinois |
| Alix Anne Shaw |
What They Knew |
| Rosanne Smith |
Nativity: Elegy for my Father |
| J. Camp Brown |
Eulogy | Spring Mountain Cemetry |
| Al Maginnes |
What Music Will Not Change |
| Darien Cavanaugh |
Perpetual Care |
| Gregg Murray |
[When I was a Railroad Hammer] |
| Trista Edwards |
Harvest Child |
| Dan Alter |
Only |
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| FICTION |
|
| Jadyn DeWald |
After |
| Afsheen Farhadi |
Green |
| Sara Schaff |
Ports of Call |
| Jill Kronstadt |
Reconnaissance |
| Curt Saltzman |
Mud Baby |
| Aharon Levy |
The Upper Hand |
| Kyle Ellingson |
An Intricate Decision |
| Aaron Peters |
Bad Tooth |
| Teresa Milbrodt |
Larissa and Adventures in Anatomy; Larissa and the Metamorphosis; Larissa and Rescue Aid |
| Shelly Weathers |
Graduation Event |
| Elissa Cahn |
Orphan Andy’s |
| George Choundas |
Because I’m Listening is for Dillholes |
| Jon Steinhagen |
Loami |
| Laura Citino |
The Oil Spill |
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| NONFICTION |
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| Ajay Vishwanathan |
Why a Darker God? |
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